Kelann Currie-Williams (she/they) is a writer, photo-based artist, and
oral historian based in Tiohtià:ke/Montreal. She is a SSHRC CGS-funded PhD candidate at Concordia University’s Centre for Interdisciplinary Studies in Society and Culture where she specializes in visual culture studies (history, theory, and philosophy of
photography), history (oral and social history), cultural studies, and Black Studies. Their current work focuses on the histories of image-making and the photographic
preservation/archival practices of Black Canada’s Caribbean Diaspora during the late 19th to late
20th centuries.
Kelann holds a master’s in Interdisciplinary Humanities and
Fine Arts as well as a BA in Communication Studies (with a minor in Film
Studies), both from Concordia University. Kelann is a student affiliate of the Centre for Oral History and Digital Storytelling (COHDS), member of Post Image cluster (Milieux Institute) and affiliate of the Access in the Making lab (AIM). Their writing has appeared in the Canadian
Journal of History, Philosophy of Photography, Topia: Canadian Journal of Cultural Studies, Urban History Review, Quebec
Heritage News, and alt.theatre online.